An inferno has engulfed the headquarters of Christ Embassy Church located in Oregun area of Ikeja, Lagos State.

An eye witness confirmed this to Channels Television. Multiple videos on X have also shown the massive edifice being destroyed by fire.

The fire which broke out early hours of Sunday caused a significant damage to the church property, sending shock waves throughout the immediate community and beyond.

Officials of the Lagos State Fire and Rescue Service are also said to have arrived at the scene to try and put out the fire.

The area has been cordoned-off  by the police to prevent a breakdown of law and order.

The church is headed by influential pastor, Chris Oyakhilome.

Media

Stanley Okorie, the veteran Nollywood soundtrack composer and singer, has disclosed the reasons behind the failures of his first two marriages.

According to Okorie, his first wife divorced him because she found his songs “stupid.” He also admitted to being an “insensitive” husband.

 

The soundtrack composer shared his candid reflections during a chat with popular media personality Chude Jideonwo.

He said, “My first divorce was the most painful. You know, the first cut is always the deepest. I have my own share of blame. Most people, when they talk about their problems in a marriage or a relationship, are quick to highlight the other person’s faults. I’m not saying I was entirely at fault, but I was a very insensitive husband. I blame myself for that one.

“I wasn’t a caring husband. Sometimes, if my wife did her hair, I’d say, ‘I’m going to the studio, come ooo.’ No, that’s not nice. I wouldn’t remember her birthday because there was a time I was doing all the job [Nollywood soundtracks], and people would call me from London, pay for my ticket, and I would go and do the music. I thought providing for the family was enough. But sometimes, the first rule of love is presence. You can give all the money, but the first rule of love is presence.

 

“My first wife wasn’t after money. Sometimes, when I gave her money, I’d return to find the money on the table. I was very busy with music, going from studio to studio. So when I look back, I see that’s the cost. Everything comes at a cost. Economists call it opportunity cost. In my first marriage, I was very, very insensitive. If I had been more mature—of course, I married very young—I wondered why she wasn’t seeing all the work I was doing. I failed on that score.

“The first day she looked at me and said, ‘I can’t take this anymore,’ I knew she was telling the truth, so I didn’t want to argue. Instead of going to beg her, I was singing stupid songs to console myself.

“After that, I went through a second divorce. At some point, my wife died. My son died. Some of the songs I sing were my escape from my sad reality, and they helped me deal with it to some level. But I tell you, there’s no method of dealing with a problem better than confronting the problem. So music wasn’t fair to me on that score. I was using it as an escape instead of confronting my problems. Some things that delight you today will, at some point, hurt. So that’s how it’s been a blessing and a curse. But I’m happy now where I am. I’m happily married with kids, doing well, and still recording music.”

A Nigerian man who lost both arms in an accident while working, has tied the knot with his woman. 

Samuel Odugbesan who worked as an electrical staff member in his previous employment, lost both arms in a work accident two years ago.  

On Friday, June 21, Samuel and his woman exchanged vows at the Ikoyi registry in a ceremony that was attended by their family and friends.

 

Congrats to them!

 

Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman
Man who lost both arms in an accident while working weds his woman

Nigerian actress, Laide Bakare has lashed out at the Nigerian police for driving her car away with her minor daughter in it.

Taking to her Instagram page, her daughter, Simi revealed that they were going to a party when they were stopped by the police for no reasons and the officer drove the car away with her in it.

Joining her, Laide stated that her daughter was left terrified over the incident as she questioned which sane man would drive someone’s car with their minor kids in it.

 

Describing the encounter as a terrible experience, she revealed that the incident took place towards Ikorodu expressway and noted how for the first time, she experienced the brutal way Nigerians are being treated along that axis.

Laide Bakare who debunked being remarried asserted that a lot of things are happening in the country which needs to be addressed. She said:

“Yesterday, it was terrible experiencing the brutal way Nigerians are been treated towards Ikorodu expressway.

No agency will ever drive a 14-years-old girl. My daughter was confused about where she was being taken to. A lot of things are happening in this country that needs to be attended to. I can’t imagine how someone with a brain and sanity will enter someone’s car and drive it away with a minor in it”.

In another post, Laide noted how the police officials only target big cars and vulnerable people to exploit and rob. She further revealed that the police officials wanted her ATM card to rob her of N70,000. Laide Bakare wrote:

“They Targeted Big cars and any vulnerable people to exploit and rob, this is my lane all through following the flow of Traffic in the heavy rain, these set of people are Evil More to come.

She was Terrified! Just because they needed our ATM card to take out 70,000 Naira. The guy entered my car and zoomed off with this little girl . Still feels like a movie”

See Laide Bakare’s posts below:

The Federal Airports Authority of Nigeria (FAAN) has established a dedicated task force to address issues of touting and extortion at the country’s airports. 

Mrs. Olubunmi Kuku, Managing Director of FAAN, announced that Mr. Henry Agbebire, the Director of Special Duties at FAAN, has been appointed as the chairman of this task force. 

 

In a press briefing in Lagos, Kuku expressed deep concern over the persistent harassment and extortion faced by passengers at airports. She declared her intention to personally engage with all government agencies operating at the airports to ensure compliance with anti-touting and anti-extortion measures. 

Emphasizing that the era of business as usual is over, Kuku highlighted the administration’s zero-tolerance policy towards misconduct and warned that strict disciplinary actions would be taken against anyone found engaging in illicit practices.

 

She also announced plans to establish magistrate courts at international airports to expedite the legal process for prosecuting offenders. The task force is mandated to enforce discipline among airport staff and maintain a culture of professionalism.

 

Kuku added, “Dedicated phone lines and QR codes will be set up to provide passengers with a means of giving feedback on their airport experience. All airport personnel must prominently display their on-duty cards and name tags for easy identification and accountability. FAAN is committed to delivering exceptional service and ensuring a safe and secure environment for all passengers and airport users.”

Famed Nigerian actor Kanayo O Kanayo recently made a noteworthy appearance on Nedu Wazobia’s popular podcast, “The Honest Bunch.”

In his revealing interview, the veteran actor candidly discussed the obscured aspects of Nollywood, highlighting secretive practices that have significantly impeded the industry’s advancement.

During his engaging chat with Nedu and his team, Kanayo O Kanayo also reflected on his enduring aspirations in acting and his desire for a long-lasting career.

 

The veteran actor bravely addressed the prevalent issue of homosexuality within the movie industry, shedding light on its prominence.

Kanayo candidly expressed concerns about the influx of inexperienced young women in Nollywood who have gained entry through dubious means. He lamented the prevalence of individuals who lack acting talent but have secured roles through questionable practices like “sex-for-role.”

The Thespian passionately emphasized that acting is a craft requiring innate talent that can be honed but not easily acquired through shortcuts or manipulation.

He also disclosed his ambition to continue acting well into his 90s or beyond.

 

This coming hours after Kanayo O. Kanayo publicly accused teenage actress Angel Unigwe and her mother, manager Juliet Unigwe, of violating a contractual agreement.

According to the filmmaker, Angel Unigwe prematurely left a filming contract with his production company due to her mother’s intervention.

Kanayo O Kanayo urged Nollywood producers to avoid working with the young actress and even threatened to disrupt any shoots involving her in the future.

 

WATCH HIM SPEAK BELOW 

These are sad times in Nigerian football.

The events of the past two weeks have opened up a can of worms, plus the opportunity of a microscopic look beyond the superficiality of the incomprehensible drama.

There is ‘madness’ in the air. 

Nigerian football is currently being white-washed and sun-dried in the global information superhighway.

Suddenly, nothing is right about Nigerian football, not even the seemingly improving domestic leagues, the steady growth of the women’s game, the explosion in the domestic football business, and the mushrooming of academies. All these have been set aside for the failure of the Super Eagles to win one simple football match at home against the weakest team ever to defeat them in history, a team annoyingly being coached by a foreign man rejected by Nigeria for taking Nigerian football back many decades. That singular defeat has also, now, taken Nigerian football development back several decades, nullifying even the small gains at AFCON 2023.

Worse still, the loss by the Super Eagles and the resignation of Finidi George, have both been dwarfed by the cursing and ranting (from ‘nowhere) of Victor Osimhen. It is now the most-talked about issue in the Nigerian football space, setting off mayhem in the football structure – what to do or not to do with Osimhen.

On the current billboard of Nigerian football are all the ugliness, the illegalities, the mediocrities, the injustices, the frailties, the failures in the system, everything in all their nakedness, tiworo tiworo! It is so bad that no one knows exactly what to make of it all, or how best to resolve the resultant issues.

Permit me to peer through my microscope into why in 5 short months, Nigerian football plunged from near the pinnacle of ultimate success to the dung of an unprecedented and most shameful defeat. What could have gone so drastically wrong?

The reality is that at the end of the day, it is the players and how they perform that determine the measure of success or failure of football administrations. When a team wins, everything is right. When a team loses, everything is wrong. It is as simple as that. There are no in-betweens.

Even the era of football administration in Nigeria that is often referred to as a model is only so rated because the Super Eagles played extremely well and won trophies for Nigeria in the early to mid-1990s. Inside the boardroom, at the time (I was a witness), it was also chaotic.

Some 5 months ago, Nigeria broke its own standards. The country rewarded ‘second-best’. She rewarded a team that did not win the trophy in a way such as the world had never seen before.

In history, Nigeria had lost, rather painfully, several finals of previous AFCONs. Twice, in 1988 and 2000, great squads of the Eagles’ that were even glaringly ‘robbed’ of their moments of glory were not welcomed with blaring trumpets, and no celebrations were held to honour or reward their valiant efforts.

Put that side-by-side the Super Eagles of AFCON 2023. No one had confidence in the team. For almost one decade before, they had won nothing, had not impressed very much, had not produced outstanding performances and performers, and so on. All of this under the tutelage of foreign White coaches.

Then, Cote D’Ivoire in January of 2023 happened and the same players that broke the hearts of Nigerians with a lethargic performance in the final match were accorded a heroes’ welcome, feted, honoured and handsomely rewarded by the government.

That gesture was totally out of character with the norm. It must have come with a consequence or a price, as an impetus or a depressant. The players may have concluded they were special indeed.

From amongst them, the most celebrated player before, during and after AFCON who did not deposit one single moment of magic, a single moment of brilliance for posterity to play back and celebrate in testimony to Africa’s Best Player, instead goes on a ranting spree in ‘unjustifiable’ anger, spewing out venomous words like the pus from a wound against his own coach. He was not even a part of the humiliating loss to Benin Republic!.

This can only be the product of some ‘madness’ in the air of Nigerian football. He even went to the extent of announcing that he does not care even if he is never invited to the national team again. Who says such things?

I am muted by the events of this past week. I choose not to speak about them beyond the following:

Finidi George’s resignation

Finidi George and the whole idea of hiring an indigenous coach for the country were not the desired options of the current football administrators. Finidi’s reluctant engagement was wrapped in so much bad-blood and negative intentions that it was doomed to fail!

There was no way he would not have failed even though losing to Benin Republic was never on the cards, and is a totally unacceptable result. So, Finidi’s decision to leave the poisoned Chalice alone by resigning is the most honourable thing to do.

Microscope on the Super Eagles

I am looking microscopically at the Nigerian players.

What has been staring the country in the face for over a decade is the dwindling number of exceptionally-gifted players in many positions on the field.

For several years we stuck with a goalkeeper that was glaringly short on safe-hands. I cannot understand why two foreign coaches definitely stuck to him. Is it confirmation that there is a deficit of great goalkeepers in the country?

At the full-back positions, only Ola Aina has shown consistency and exceptional brilliance down the right-side of the field over several years. The left-side has been the opposite, porous and so weak sometimes that Aina has had to be moved to the left-side to cover up for this weakness on occasions.

The centre of Nigeria’s defence line has been weak. At AFCON 2023, William Troost-Ekong rose to the challenge and provided leadership and great cover for that weakness. The first goal scored by Benin Republic against Nigeria in the absence of William clearly confirms this glaring weakness. There are no bona fide Central defenders currently in the Nigerian team.

In the midfield, Nigeria has a few names like Wilfred Ndidi and Alex Iwobi. They are very good players until you start to compare them with those before them, the engine room of most of Nigeria’s great teams of the past – Samuel Garba, Haruna Ilerika, Mudashiru Lawal, Henry Nwosu, Jay Jay Okocha, Sunday Oliseh, Kanu Nwankwo and so on? And I do not mean any disrespect to the mid-field players in the current Super Eagles.

There is an array of many good forwards in the current Nigerian team, but goalscoring has been in serious deficit, a reflection of their completeness compared to a glorious past that would surely include amongst many great names, that of Finidi George, the scapegoat of a failed system.

That is the reality.

Nigeria needs a new team of players in several positions. These players cannot be conjured into being by wishful thinking. They will come only through a proper production line established by administrators that know what they are doing!

 

 

Former Big Brother Naija housemate, Adekunle, has officially confirmed the end of his romantic relationship with fellow reality star, Venita Akpofure.

The two had sparked a connection during the All Stars edition of the show last year, but it appears their bond has fizzled out.

Venita

In a recent interview with YouTuber Olufemi Daniel, Adekunle opened up about the end of their relationship.

 
Adekunle

Adekunle revealed that he and Venita had a post-show conversation about their relationship, but the outcome wasn’t what they had hoped for.

“I would like to think that we were in a relationship in the Big Brother’s house. I wouldn’t want to use the word love. It’s too strong for that scenario. But what we had was more than an understanding. I think we when were in the House together, it was a real thing,” Adekunle said.

After the show, we had a conversation about our relationship. Out of respect for her and also because she’s not here, I will not give out the details. But we had a conversation outside the House. It was a conversation and it was an understanding but the end result was not what was anticipated“.

The reality star also made it clear that they no longer communicate.

 

He said:

I don’t talk to her anymore because we don’t have a relationship. We don’t communicate, we don’t speak [with each other]. A lot of bad things happened, that’s why I’m not going to share them here out of respect for her.”

Recall that Venita in a recent interview also confirmed that she and Adekunle  have gone their separate paths.

Venita revealed this during her appearance on Tacha’s ‘The Big Friday Show’, that she and Adekunle are not romantically linked.

She went into further detail about the distinctions between their current paths and their prior experiences.

Venita claims that she is now devoting the most of her energy to her work and her acting career.

Former UFC welterweight champion, Kamaru Usman, revealed that Jorge Masvidal was the fighter who rattled him the most before entering the Octagon.

Despite being one of the most feared fighters in the welterweight division, Usman admitted to feeling afraid during his title run. The fighter who instilled the most fear in “The Nigerian Nightmare” was Masvidal, who had significant hype going into their first title fight in 2020.

Masvidal earned the 2019 ‘Fighter of the Year’ title with victories over Darren Till, Ben Askren, and Nate Diaz, becoming the UFC’s first-ever BMF Champion with a doctor’s stoppage TKO. His record-breaking 5-second flying knee KO of the undefeated Askren stood out as one of the most violent knockouts, leaving Askren unconscious for nearly three minutes.

“I say one of the most violent (knockouts) because of, he was out for almost like two, three minutes,” Usman said of Masvidal’s KO on ‘Pound 4 Pound’.

 

“He was out. I remember I was there. I remember watching like, ‘He’s still stiff. Not only is he out, but he’s still stiff.’ Then, all that happens, that was 2019 and then I think maybe a year later you and I fight…”

Usman and Masvidal first clashed at UFC 251 under “the craziest circumstances” after title challenger Gilbert Burns withdrew due to COVID-19. Masvidal replaced him on six days’ notice, flying across the world to fight Usman on the UFC’s ‘Fight Island’ in Abu Dhabi.

Although it was Usman’s third UFC title fight, the champion felt uneasy heading into this unexpected and risky title defense against Masvidal. The Askren knockout played continuously on every channel and social media platform, adding to Usman’s nerves.

“Of course, we get nervous for every fight, but one of the first times it got to me, everything around me got to me because, bro, they’re playing your viral knockout, one of the most viral knockouts ever,” Usman said of the Askren knockout.

“(Masvidal) f***ing gets to me,” Usman continued. “I’m like, ‘Oh s**t, is he gonna baptize me? What the f**k is it? I’m in a hotel and I’m super nervous for this, especially that – that moment before you go to the arena for the fight, and I’m in my room just like, ‘Why the f**k am I so nervous right now? Get it together…’ I would say that was probably one of the most nerve-wracking fights that I had.”

Usman overcame his fears to win a dominant unanimous decision over Masvidal at UFC 251. After going the distance with “Gamebred” in 2020, the welterweights met again in a rematch a year later.

[Punch]

As part of effort to create an enabling environment for the growth of the Nigerian movie industry and further consolidate its enviable standing in the world, the highly revered Ooni of Ife, Oba Adeyeye Ogunwusi, has brokered peace between veteran actor Kareem Adepoju ‘Baba Wande’ and award-winning movie producer and director, Tunde Kelani.

Dotun Taylor, the President of Aroba Groove, an International Cultural Organisation, made this known in a statement on Saturday.

The two gladiators of the Nigerian movie industry are said to have been at loggerheads for more than three decades.

 

Taylor who’s also the Asoju Asa of Ooni of Ife, Adeyeye Ogunwusi, asserted that the reconciliation of Baba Wande and Kelani would paved way for the advancement of Nigerian cultural heritage globally.

According to him, the longstanding feud between the two veterans has affected the growth of Nollywood industry in one way or the other.

He said that the reconciliation, marks a significant milestone in the promotion and preservation of Nigeria’s cultural heritage.

“The three decade-long dispute revolved around royalties from the movie “Ti Oluwa Ni Ile.”

 

“Ooni of Ife also told me how great the film was ‘Ti Oluwa Nile’ and that’s why he choose me as agent for the reconciliation of the long time feud.

“The Asoju Asa Oodua to the Ooni of Ife, played a pivotal role in facilitating the peaceful resolution.

“Delegates from the palace, at the behest of the Ooni of Ife, Adeyeye Enitan Babatunde Ogunwusi (Ọjaja II), visited Tunde Kelani at his Abeokuta home in Ogun State, Nigeria, to seal the settlement.

“This historic reconciliation is a testament to the Ooni of Ife’s commitment to promoting Nigeria’s cultural heritage and the core aim of Aroba Groove Ltd. in preserving the rich cultural history of the Yoruba lineage.

“The Aroba Groove successful mediate the reconciliation which has been giving birth to the seamless production of ‘ASIYANBI’, the stage adaptation of TI OLUWA NILE,” he said.

According to him, ASIYANBI ‘Ti Oluwa Nile’ is produced by Aroba Groove in collaboration with the House of Oduduwa with the endorsement of the Ooni of Ife, Ogunwusi for new generation to learn from rich history of the Yoruba culture.

Taylor said that following the successful reconciliation, he praised the exemplary leadership displayed by Kelani and Baba Wande citing their willingness to put aside differences as a valuable lesson for the industry and beyond.

He said that their actions demonstrated the importance of intergenerational collaboration, ensuring a seamless transfer of knowledge and values between the old guard and the next generation.

Taylor added that by working together, we could avoid misunderstandings and misaligned efforts, ultimately driving progress and development in the entertainment industry.

Taylor said that the two veterans have put aside their differences, attributing the past feud to royalty issues from the 1993 hit film Ti Oluwa Ni Ile.

He said that in a heartwarming reconciliation, they expressed gratitude to the Ooni of Ife for his intervention and the vital role played by Asoju Asa Oodua.

 

Baba Wande in his remarks during the reconciliation said that Kelani is his bossom friend.

“We will continue to work together for the growth of our beloved industry and Yorubaland.”

Kelani also in his remarks said that the peace initiative was a reminder that their work (Ti Oluwa Nile) was appreciated.

“This peace initiative is a reminder that our work is appreciated, and we are being watched.

“I thank the Ooni for his intervention and assure my full support to the production of ASIYANBI, the stage adaptation of TI OLUWA NILE,” he said.

 

Mr Ibitayo Akindeji, the Producer and Project Coordinator of ASIYANBI, said that Aroba Groove was reviving the classic tale through a groundbreaking stage production, promising a thrilling and innovative theatrical experience.

Akindeji said that the captivating stage play, ASIYANBI, was set to captivate audiences in major cities in Nigeria, UK and USA later in the year.

According to him, the historic reconciliation embodies the core values of Yorubaland’s ‘Omoluabi’.

“While the timeless story of TI OLUWA NILE remains unchanged, its presentation this time around is nothing short of breathtaking,” said.

The production couldn’t have come at a more opportune moment for Nigeria, as the country navigates its current challenges. 

“With unwavering belief, the team affirms that Nigeria is God’s beloved nation, and this land is indeed God’s own – TI OLUWA NILE.

“Following a teaser released, Aroba Groove has announced that drama enthusiasts can look forward to a treat from October as the ingenious production tour cities across the country and abroad.

The talented cast for the stage-play featuring Kareem Adepoju (Baba Wande), Actress Aisha Lawal, Ozain, Lekan Agba Inaki, Jude Chukwuka, and Dele Omo Woli amongst others, will bring the production to life in these cities, promising an unforgettable experience.

The iconic film, released in three parts, remains one of the best-selling Yoruba movies of all time, and this reconciliation marks a new chapter in the industry’s history.