Quincy Jones, a legendary figure in music whose 70-year career saw him excel as an artist, bandleader, composer, arranger, and producer, has passed away at the age of 91.

Jones died on Sunday night at his home in Bel Air, California, as confirmed in a statement from his representative, Arnold Robinson, shared with Entertainment Journalists. No cause of death was provided.

“With full but broken hearts, we share the passing of our father and brother, Quincy Jones,” the Jones family said. “This is a profound loss for our family, yet we celebrate the extraordinary life he lived, knowing there will never be another like him. He was truly one of a kind, and he will be dearly missed. We find comfort and pride in knowing that the love and joy that defined him were shared with the world through everything he created. Through his music and boundless spirit, Quincy Jones’ heart will beat for eternity.”

The news hit like a somber note. When I heard Quincy was dead, memories stirred deep within me, and nostalgia came rushing in, transporting me back to a time when Nigeria’s entertainment industry was not just thriving but vividly and excellently documented. This was not just about the individuals like Quincy who gave the industry its pulse and its rhythm. It was about an era when entertainment journalism in Nigeria brought life to our screens, papers, and minds.

In those days, reading about stars like Quincy and other music legends was an experience that extended beyond just the headlines. We saw their world through the pens of journalists who crafted stories with skill and respect for their craft. Publications like “Prime People”, “Vintage People”, “Quality”, and “Climax” coupled with entertainment pullout published in various daily newspapers in those days brought the stars closer, uncovering the lives of musicians, actors, and entertainers in a way that was both captivating and insightful.

In fact, these newspapers and magazines were the trusted voices of our entertainment industry, setting high standards for the quality and integrity of celebrity reporting. They not only celebrated the stars but also critically engaged with the challenges, the growth, and the changing tides in the industry. It was through these pages that we saw Quincy and other entertainers rise, evolve, and make waves both locally and internationally. The writers behind these publications saw entertainment as a serious beat, one that required dedication, research, and, most importantly, respect for those it covered.

Back then, entertainment journalism held an esteemed place. It was journalism in the true sense of the word, where stories were verified, sources were genuine, and the integrity of reporting mattered deeply. It was an era that respected the artist, the fan, and the reader. They told stories not for shock value but for the impact, for the historical record, and for the sheer love of documenting our culture.

Quincy’s passing has reminded me of this golden era, a time when every article, every interview, and every feature brought us closer to the stars while upholding the profession’s standards. Today, with digital media’s fast pace and the rise of social media “gossip” sites, much of that integrity has been lost, replaced with sensationalism and a rush to break the story first, often at the expense of accuracy and respect.

As we say goodbye to Quincy, perhaps it is time to reflect on what entertainment journalism could and should be. Let his legacy remind us not only of his talents but of an era that documented his and others’ lives with dignity, dedication, and a commitment to storytelling that today’s entertainment journalists can learn from and, hopefully, aspire to replicate.

Without a doubt, the recent passing of Quincy, a celebrated figure in the entertainment industry, has reignited conversations about the significance of entertainment journalism and its role in capturing the vibrant essence of showbiz. His legacy not only highlights the impact of influential personalities in the industry but also serves as a poignant reminder of a time when entertainment reporting thrived on authenticity, creativity, and deep engagement with artists. As audiences reflect on the golden era of showbiz reporting, characterized by in-depth stories and genuine connections with celebrities, there is a growing recognition of the need to revive this form of journalism to bridge the gap between entertainment and its audience.

In today’s fast-paced digital landscape, where sensationalism often overshadows substance, the revival of entertainment journalism is both timely and essential. As fans crave insightful narratives that celebrate the artistry and human experiences behind the glitz, a renewed focus on quality reporting can enrich public discourse about the entertainment industry. This revival can also encourage new talent in journalism to embrace the craft’s rich storytelling traditions, fostering a more meaningful relationship between entertainers and their audience. Quincy’s death underscores the urgency of this endeavor, challenging journalists to reclaim their role as storytellers and curators of culture in a rapidly changing media environment.